![]() Now it's a great old keyboard, the PG-1000 programmer is a MUST to get the most out of it though. What weve got here is a digital non-resonant low-pass filter that doesn’t do much to shape the sound. The thing that caught me about the D-50 was the built in effects which was rare in '87. The Wavestations main flaw, unarguably, is the lack of a proper filter. I ended up not taking the sales job "the money just wasn't right". I worked the weekend, made some great sales, and ended up using my employee discount to get a good price on the D-50. Happily, Korg has done a fantastic job of walking the line between being faithful to a classic and offering something new. I had worked for a different music store ten years earlier, and still had a local reputation as being a very tech-savy keyboardist. Only one local music store had them in stock, the store owner had been trying to get me to work there, and I finally agreed to work a weekend so we could both try out the arrangement. I'd have loved to hear the grumbling that went on from his keyboard techs about having to set all of that up. I don't think Geoff used more than one or two sounds per instrument, hence so many instruments. ![]() Mentioning the D-50 brings back some huge memories, I remember spending hour after hour at the local music store playing with one. ![]() not have any business relationship with Roland, Korg, or any other 80s/90s Digital Synth manufacturers. Roland D50/Wavestation Soundsets for Omnisphere Thread starter schrodinger1612 Start date S. Bdodds wrote:I always wanted to see Geoff program the Fairlight in the middle of a set, maybe take a few hours to sample and map out a new waveform. Fans of the D-50, JD-990, 01/W, Wavestation. ![]()
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